Showing posts with label clay. Show all posts
Showing posts with label clay. Show all posts

21 February 2008

platter's progress

Hi friends,

Yesterday I worked on this large 18" platter for a special order and I thought it would be fun to chronicle the drawing and etching as it progressed and share it with you.


1. the platter is hand painted first with the main color elements in place. (note; book illustration for reference and cup of tea for encouragement).


2. I draw the design in pencil first (you might have to look closely to see the pencil markings).
The pencil markings burn out in the firing.


3. the first etch. just the basic lines of the motif are etched in.


4. starting to add the detail. notice the name stamp (on the right hand corner of the ivory rectangle has been added as well).


5.Let the circles begin! The long and tedious process of hand stippling the circles. I've drawn so many circles that I don't need a template to draw them anymore. They are all free hand. Practice makes perfect!


6. still stippling. (time to make another cup of tea!)



Ta da!
All finished...Well not really.


I will be back soon to show you some magic!

***

27 November 2007

4th & clay is here to stay

Hello Friends,
If you are in the area please be sure to stop by this weekend and give us a visit. We will be open Saturday and Sunday from 11a.m until 6:00 p.m.

There are so many wonderful things to behold (and to have)!

like this...

Work by Josie Jurczenia

and this...

Work by Rae Dunn

and this...

Work by Diana Fayt

we had an unexpected guest Artist visit us this past weekend and he left us with this...

thanks Mel!

This Friday is our grand opening party from 7 until 10p.m.
Come on by and help us celebrate the opening of this
fabulous new gallery!

sculpture in front by John Schnick

See you there!




20 November 2007

let the holidays begin!

Come and join Josie, Rae, Susannah, John and me in four weekends of Holiday sales at 4th & clay in Berkeley! Yes folks in between the solo shows and filling wholesale and special orders, I am participating in four weekends of Holiday sales at the new 4th & clay studio in Berkeley. Yippee!

There are plenty of weekends to come and see what I have been up to so no complaining about me only having a one day sale (which is my usual M.O.) and that you couldn't make it...The only excuse I might accept is that you live in another country and it was hard to get a flight. I will be selling the usual suspects and some unusual ones too (things never seen before!) But you'll have to come and see for yourself.

*Here are the details*

Holiday Studio Sale
4th & clay
2390 4th Street @ Channing
Berkeley, California

11 a.m to 6 p.m.

November 24th & 25th
December 1st & 2nd
December 8th & 9th
December 15th & 16th

P.S. The Grand Opening Party will be on Friday November 30th from 7 until 10 pm. There will be live music, fun & ceramics for all.


21 June 2007

closer to hand

I am so excited to introduce this weeks guest blogger to you!
::
Back in December

Renee wrote to me
asking me what I call the dreaded question..."What is your process?" I wrote back, trying to gently couch the usual response I give to people who ask me to give missives of my process via email (I don't even teach workshops on my process...sad but true, I am a hoarder this way). Which is, thanks for writing, but sorry, I'm not gonna tell you. I hate doing this but as much as I believe in sharing I don't believe in sharing everything. I try to be nice, give a little something in return without giving away my secrets but never the less I know it pisses people off.

Renee, did not respond right away to my answer of "no". Then about a week later she did...She was honest in telling me that she felt sort of "miffed" as she put it but then thought about it a little and what I got in return was a very thoughtful and understanding response.

I was so impressed by Renee I thought to myself; Man, I wish this girl lived closer to me... She's my kinda lady! Bold enough to ask questions, strong enough to take the answers (even when they aren't what she wants to hear), honest enough to tell me what she thinks, thoughtful about the information and kind enough to tell me she understands.

Well the rest is now history. Renee and I exchange emails as often as our busy schedules allow. If we did live closer to one another, you would most definitely find me loitering about her studio, chatting, sharing stories of clay battles won and lost and maybe even sharing a few well guarded secrets.

Welcome aboard Renee! We are so lucky to have you.


::


First, a word of thanks and appreciation to Diana for being such a dedicated blogger.
Reading about the struggles and successes of a
fellow potter motivates me to work harder in the studio. At times,
living way out in West Virginia leaves me feeling alone in this crazy
pursuit of making pots in the 21st century. It's amazing how a few
well crafted words have spurred new thoughts and approaches to my
work.



 Reading and responding to Diana's blog has given me the chance to
develop a dialogue with friends I have yet to meet. Thanks One
Blackbird for hosting guest bloggers like me. It is my hope that
these guest blogs will encourage other clay artists to create a
larger community of bloggers who know about all things clay.

I have been making pots since my freshman year of college. Viewing
my transcript would reveal a very eclectic education; I knew that
college life should be about learning all sorts of things. Much to
the chagrin of my mother, the one passion that has remained constant
is my love of clay. After leaving school, I was lucky enough to fall
into situations that facilitated my dream of being a potter and I
have had a clay studio for the past thirteen years. My current
studio is twenty paces out my back door and is painted a fetching
color of purple. When I look out at my perfect purple cottage, it
makes me smile.


While I have had this constant desire to make pots, I have also had moments (or even years!) of distraction. Along with making pots, my life has been full. I am now moving into a new place in my life. My son is nearing his sixteenth birthday and my studio, which was actually slated to be demolished before we purchased it, is finally in order. I now have more time and energy to invest in my work and I am quite excited to enter this new phase in my life.




Over the years, I have pursued several different venues for my
pottery. I have worried with craft fairs (the lost business cards,
missing wrapping paper and the curtain that would not stay in place),
gone the route of consignment (the errant dust bunny nestled in your
pots, people who know nothing about your craft in charge of selling
your work), moved on to work only with galleries (nice, but pricey).
Yes, each outlet has its own particular down side. These experiences
have lead me to look for a better way...


In 2001, I went to Haystack, where I was Jack Troy's teaching
assistant. He wisely advised the class not to overlook our local
market. I remember him saying, "Your neighbors will not let you
down." He assured us that galleries, no matter how lovely, come and
go. I knew this to be true, even for "star" potters--Jeff Shapiro
once told me a story about a gallery that perfectly illustrated
Jack's point. Jeff was asked to make coffee cups for a four star
gallery that was representing him on the east coast. He was so
honored, he gave the gallery owner a good price and got busy making
the cups. They were to be commemorative cups, stamped with the
opening date of the gallery. When he went to unload the kiln, the
glaze had pooled in the stamped area making it illegible. Again,
back to the wheel to make more. After all of this effort, the
gallery owner got what he wanted. Guess how the story ends?
Shortly after delivering the cups, the gallery let him know they no
longer wanted to represent him.

This story allowed me to see the strength in Jack's advice and
reminded me of a phrase I'd heard: "closer to hand." I find power in
these words, and when I am grappling to make a decision I ask myself,
what is closest to hand? It often clears my mind and allows me to
see what is right in front of me. My goal is to sell my work
locally, giving myself the pleasure of meeting the folks who want my
pottery in their lives. I plan to take this year to explore things
that are closer to hand for me...Check out my progress on my new
blog: The Pondering Potter.

17 January 2007

working in the arctic

Okay, so I lied about the temperature of my studio in my last post...it has actually been 47 degrees in there. I finally broke down and turned on my kiln (with out firing anything) to help cut the cold. My fingers get really mad at me when I work in the cold. They swell and my knuckles ache and well it can't be good for me. Who says I don't suffer for my Art ;)

I am posting this preliminary drawing, with some trepidation, of a piece I am about to start. My intention is to have it be two 17" platters, side by side, to make one unit. I was taught in school, that drawings should always accompany the work. Which when making in ceramics, is not always the first inclination. One usually just wants to go straight to work with the clay. The habit was instilled in me and I am thankful for it.

I started the drawing with many ideas and had put in many elements, my usual flowers, etc. and then erased them as I felt they detracted from the piece. I also felt I was leaning too heavily on what I know works and I was not pushing myself. I was using that imagery as a crutch. When I removed all the extra embellishments from the drawing I realised that the simplicity and starkness (the feeling) of the drawing was what I wanted to convey with the the piece. So I have left in unadorned. Now to attempt it with the clay. A completely different challenge. I have anticipatory concerns about what could happen once I start trying to execute the piece. One of my concerns is that it will look trite, contrived, that the medium will scream utility and the sense of the piece will be lost. My gut feeling is that it can work though. The utility aspect is good and sincerely nothing to be ashamed of and can be exploited but needs to be done in a subtle manner. Ahh yes, subtlety, such a difficult thing to achieve in Art. To know when (and how) to be loud by being quiet. I am liking
this challenge and really enjoying thinking about my work in this way. Don't worry, the pretty flowers and other pieces are still happening while I am working away on these more serious pieces. More on that later...for now I am letting myself be inspired by the arctic temperatures of my studio.

21 November 2006

lobster claws

When I was in Art School taking etching classes my teacher used to tell us that we should wipe the inked zinc plates “with the hands of a duchess.” That saying has stuck with me even though I am not making etchings and wiping zinc plates these days. Now days I am taking another class in which the hands are integral in the expression, Cuban Salsa dancing. My dance teacher is constantly reminding us how important it is for us to use our hands. He says “Ladies, your hands should be beautiful, like you just had a manicure.” Imagine me, just in from the ceramic studio, after a day, no week, month, okay, years of clay work, thinking of my hands as “manicured” I giggle like a sixth grader every time he says this. He must think I’m a bit nutty. I have a very deep relationship with my hands. They are, after all, the most important tools of my craft and livelihood. I am proud of my hands and what they are capable of. Though when I get into that dance class I feel like I have lobster claws for hands and I suddenly become very self-conscious of them. It is funny how changing the focus of their use brings out insecurities with something in most cases I am quite confident with. It has brought me to thinking about how it is good to think of my hands in a different way other than as the tools of my trade. In dance they are tools too, an extension of expression, in some ways so much more immediate than in the making of things. The skills we develop to train our hands to make things is different than the skills we learn using them in an expressive way. I am thoroughly enjoying this challenge. I think it is good to step out the comfort zone and learn to use things we may be familiar or comfortable with in different ways. I also like the fact that using my hands in this way feels so new and foreign to me. Like the first time I sat at a potters wheel with five pounds of clay spinning in front of me at high speed. Hands of a duchess, manicured hands, lobster claws, I say bring it on!